THE KENNEDY'S AND CONNALLY'S IN SAN ANTONIO NOVEMBER 21

THE NEXT DAY NOVEMBER 22ND THE SMILING CONNALLY WILL TURN AROUND AND SHOOT JFK TO DEATH

PHOTOS "Pictures of JFK Assassination"

ALTGENS PHOTO ZOOMED IN

James Altgens Photo shows Connally just after he shoots JFK in the neck.

JFK IS GRABBING HIS NECK WHILE JACKIE IS TRYING TO HELP WITH HER WHITE GLOVED HAND

NOTICE CONNALLY NOW HAS TURNED AND GETTING READY TO FALL BACKWARDS TOWARD HIS WIFE TO INFLICT THE FATAL SHOT TO THE HEAD.

ZAPRUDER FILM CLIPS

JFK GUN FLASH

THE RED ARROW SHOWS THE DIRECTION OF THE BULLET

JFKS BODY REACTS TO THE BULLET COMING FROM THE DIRECTION OF THE RED ARROW

WITH JACKIE ON THE TRUNK FACING THE REAR CONNALLY TURNS AROUND TO MAKE SURE JFK WILL DIE.

NIX FILM

NIX FILM ZOOMED IN

THE NIX FILM SHOWING CONNALLY FALLING BACK TOWARDS HIS WIFE FOR THE FATAL SHOT

NOTICE THE GUN ON HIS RIGHT SHOULDER AND OF COARSE HE IS EYEING UP JFK FOR THE FINAL SHOT. JACKIE IS WATCHING CONNALLY

THE LIMO ON ITS WAY TO PARKLAND HOSPITAL


JOHN CONNALLY AGAIN WATCHING WHERE THE LIMO IS GOING ... MORTALLY WOUNDED?


The assassination of President John F. Kennedy on November 22, 1963, in Dallas, Texas, has remained one of the most significant and controversial events in American history. The shocking images captured during and after the assassination offer a glimpse into the chaos and tragedy of that fateful day, unveiling aspects of the event that have fueled speculation and conspiracy theories for decades. As President Kennedy's motorcade made its way through Dealey Plaza, the unsuspecting crowd was cheerful, waving and cheering for the man they admired. Suddenly, the serenity was shattered by the sound of gunfire, forever changing the course of American history. The series of photographs taken at that moment not only document a pivotal event but also provoke profound questions about the political atmosphere of the early 1960s and the implications of Kennedy's assassination on subsequent U.S. politics. One of the most iconic images from that day shows a still, captured frame of President Kennedy slumped in the car, with his wife Jackie desperately trying to shield him. The visceral shock of this photograph is compounded by the surrounding chaos—police officers rushing toward the scene, onlookers frozen in horror, and the pall of disbelief hanging in the air. These images paint a powerful and terrifying picture of the immediate aftermath; a pivotal moment that shifted public perception and initiated a whirlwind of conspiracy theories. Many of the photographs taken by journalists and bystanders on that day serve as a visual record of the uncertainty and upheaval that followed. The now-famous Zapruder film, a home movie made by Abraham Zapruder, is perhaps the most scrutinized footage in history. It reveals the moments of the assassination in real-time, offering viewers an unfiltered look at the tragic event. Frame by frame, it captures the immediate shock and horror—Kennedy's reaction, the frantic movement of Jackie, and the violent impact of the bullets. As the investigation unfolded, additional photographs emerged, including those depicting the aftermath at Parkland Memorial Hospital. These images are equally haunting, showing medical staff working frantically as they tried to save the president's life. The tension is palpable, and the grim reality of the situation is laid bare—one can see the genuine emotion on the faces of those in the room, highlighting the grave stakes at that moment. The collection of photographs and film footage provides not just a historical account but also serves as a canvas for diverse interpretations of the event. While some view these images as stark evidence of a tragic alone act by Lee Harvey Oswald, others see them as a key part of a larger narrative, one involving conspiracy, politics, and the dark underbelly of power. These interpretations are frequently fueled by the vast number of conflicting reports and theories that emerged in the wake of the assassination, making the photographs all the more pivotal in how we understand the narrative surrounding that day. The questions do not simply revolve around how Kennedy was killed; they extend to why such a dramatic act of violence occurred in the first place. The images prompt discussion about the broader socio-political context of the early 1960s—the Cold War, civil rights movements, and the burgeoning counterculture all contributed to a charged atmosphere. The stark visuals serve as a reminder not only of the act itself but of the myriad sentiments brewing beneath the surface of American society during that time. In recent years, advancements in technology have led to renewed interest in the photographs of the assassination, allowing for enhanced scrutiny and analysis. Digital restoration efforts have provided clearer insights into the Zapruder film and other visuals, reigniting debates and prompting fresh perspectives on long-standing controversies. Every frame sparks renewed discussions about the narrative of that fateful day and its far-reaching implications on American history. Ultimately, the shocking images from the assassination of JFK act as powerful historical markers. They encapsulate a moment of intense tragedy that continues to resonate through time. As we look back through the lens of these photographs, we are invited to grapple with the complexities of a nation grappling with its identity, confronting its past, and the unsolved mysteries that still linger in the air. The photographs do not merely document an event; they encapsulate a pivotal shift in American society, a moment that continues to invite examination and reflection as we consider the layers of truth concealed within the historical narrative. The exploration of these images offers not just a glimpse into a past tragedy, but also an opportunity to understand the ongoing impact of that day on the American psyche. As we unveil the truth behind the assassination, it becomes clear that the images are more than just art; they are a vital part of our collective memory—a reminder of both the fragility and resilience of democracy.